Oxford and New York: Oxford University Press. Boehmer, Elleke (1995) Colonial and Postcolonial Literature. Waterloo, Ontario: Wilfrid Laurier University Press, 40–48. In: Moss, Laura (ed.) Is Canada Postcolonial?: Unsettling Canadian Literature. Besner, Neil ( 2005) ' What Resides in the Question, "Is Canada Postcolonial?"'.
Ashcroft, Bill, Gareth Griffiths and Helen Tiffin (2000) Post-Colonial Studies. The quote from Thomas King's seminal short story in the title of the paper serves as a metaphor for a doublebind effect of careless appropriation of Indigenous stories by non-Indigenous writers. The implications of alleged freedom of creative act is discussed in the context of cultural appropriation leading to various literary "borrowings" and "hoaxes", and the function of Native/Aboriginal author by showing various views coming from Canadian and Australian Indigenous literati and scholars who most ardently oppose to the outsider's appropriation of Indigenous imagery. the space of textual freedom, and literary works being limited by postcolonial ethics especially when they attempt to map the cultural space of the postcolonial other, reveals the setbacks of postcolonial hybridity turning it into a possible minefield. Conflation of two different views, that of literary works being the constructs of possible worlds (mimesis), i.e. Young and Susan Haley) in a literary space of the two multicultural postcolonial locations, Canada and Australia, lays bare a very uneasy palimpsest of postcoloniality. Pascoe).Appropriation of indigenous voice and/or subject appropriation (as defined by James O. Special space is reserved for the comments by the two Signifying Monkeys: Coyote (T. Riemenschneider), and various views coming from Canadian and Australian Indigenous literati and scholars. Dawson), the “niche” of Indigenous literature and Indigenous book market (A.
The implications of “Natives and AlterNatives” (Smyth Groening) will be discussed against the backdrop of the complexities of cultural appropriation (J. the space of cultural diversity and finally ethics which sets boundaries to the possible worlds of literature by challenging an often easy-going assumption of postcolonial “hybridity”. the space of textual freedom postcolonial space which is multicultural and “hybrid”, i.e. Contributing to a very uneasy palimpsest of postcoloniality, this appropriation will be discussed against the concept of a literary work as a construct of a possible world (mimesis), i.e. The paper focuses on the so-called appropriation of indigenous voice and/or subject appropriation (Young/Haley) in a literary space of the two multicultural postcolonial locations, Canada and Australia.
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